Seyi Allen
This week, we were honoured to host ace artiste manager, Mr. Seyi Allen at our studios. Mr Seyi Allen who had previously worked with music talents such as Sunny Neji, Blackky, Azeezat Queen of Love among others made a quick stop to discuss Copyright Issues, Challenges facing the Nigerian music industry and his recently bagged Harvard Degree.
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Enjoy the excerpts below.
Q: It
is a privilege to have you at our studios Mr Seyi Allen
A: Thank you. I am glad to be here.
Q: We
know Seyi Allen, the legendary artiste manager – asides that, what is Seyi Allen
up to presently?
A: I recently
delved into internet promotions. I have a company called Network Tentacles, and
we promote everybody, celebrities, organisations and even politicians.
Q:
Looking at the comparison between the present day music industry and that of
the past, do you think we’ve improved or gone worse?
A: It’s both ways, music of before had more substance,
melody, and rhythm. Although the music of today has rhythm, its better beat –
wise. The beats are cool and jumpy, those that are slow are slow, but the
present day music has less substance.
Q: What
do you think is the greatest singular challenge facing the Nigerian Music Industry?
Last week, Ms. Kenny Saint Best said it was Media Buying. What is your take on
this?
A: With the knowledge that I have now, I have come to
discover that the greatest singular challenge is the knowledge about Intellectual
Property. Intellectual Property is the oil of the world now and if that isn’t
taken seriously, I do not think the music industry will move forward because we
are good at every other thing we do. We are good at videos, we have good audios,
we cut across, but the more we cut across, the more the need for better
understanding of intellectual property. If you do music as a business and do
not earn from it, it means that business will not move forward, your record
label will also not benefit from your work, in such a scenario, the only people
who will benefit are those who utilise your work for free.
Q: We’ve
heard several stories of music talents leave school to face music squarely, but
you’ve decided to do the unusual by going back to learn Copyright from Harvard,
even after a previous degree. That’s a big one. Why Copyright?
A: I studied Physics and Electronics before but I have
always wanted to do Law. I realised it doesn’t make sense to be ignorant of the
law in Nigeria. I have also always wanted to do an A & R Management course
abroad, so when the opportunity came to learn more about Intellectual Property,
I went for it. Prior to knowing COSON, I’ve been a follower of World Intellectual Property Organisation (WIPO),
always reading and learning more about IP. I’ve also come to realize that everywhere
in the world, once you truly understand Intellectual Property, you begin to
make more money from your works.
Q: Now
having studied Copyright, what has changed about you?
A: It has given me better understanding, I know so
much now that I am about to head on to the roads to teach people, especially
the upcoming artistes.
Q: That’s
the next big, that’s what Seyi Allen is up to. Kindly shed more light
A: I am working on ‘KNOW WHAT I KNOW’. I am starting
with the local dialect version, what we call ‘Pidgin English’ to enable me
communicate properly with the people. The aim is to enlighten the ‘ghetto’
areas about Copyright.
Q: When
is this to kick off?
A: Late October, last week in October.
Q:
Looking at ‘KNOW WHAT I KNOW’, why have you targeted these areas and not the
big, major artistes?
A: This is because organisations such as COSON and the Nigerian Copyright Commission have always done that to the big artistes. It’s sad to know that some of the big creative minds only come when they hear of their colleague receiving hefty royalties; they are less interested in talk. I want the upcoming ones to understand copyright and its benefits before becoming popular.
Q: What
advise will you offer as regards ensuring more creative minds are made aware of
their rights?
A: COSON will continue to do its best but this is
where other music bodies should come in and talk to their members. They should
always organise seminars to enlighten their members.
Q: Do you have any final words or message you’d
like to pass across?
A: I want to encourage Nigerian artistes, song
writers, composers and all involved in music creation to learn more about
Intellectual Property. I’d also encourage them to earn money continuously from
the usage of their works by becoming members of COSON. Let the music pay!.